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Dragon Age Inquisition: Jaws of Hakkon review

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  • Dragon Age Inquisition: Jaws of Hakkon review

    I'm still playing Dragon Age: Inquisition, months after it came out. I only came to it over Christmas, but most evenings that I pick up a controller I find myself setting out from Skyhold yet again, venturing into some wilderness or other to see what I can find. The followers I bring with me have mostly fallen silent, their dialogue exhausted after nearly 200 hours of adventuring. This is fine - if I was asked to constantly quip while somebody else poked around, mopping up stray side-quests and flambéing any sheep foolish enough to wander by, I'd have got bored too.
    But I haven't tired of the game, even though I'm still playing far beyond the point that most players feel the need to. Fans have complained that there are too many distractions on the game's world map, and you could make the point that BioWare has cluttered its own game unnecessarily. But I'm reminded of something Dragon Age: Inquisition creative director Mike Laidlaw told me a couple of weeks ago - that assuming you needed to collect every little thing in the game was a "miscalibration". You'll finish the main story with a surplus of power unless you have a real aversion to exploring - BioWare has simply populated its world with further activities for those who do want to engage with them.
    All of this is worth noting as I am currently staring at a large thread on BioWare's forum branding Jaws of Hakkon as "more of the same", arguing that it just adds another area to explore with a map that quickly fills itself full of side-quests and collectibles. You could make this argument, but it feels unfair - there's far more to the DLC than the icons on its map, while its design feels as if BioWare has responded to some of the early Inquisition feedback.
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